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The style and subject of his sculpture were inspired by the school of Gödöllő. He often modelled symbolic statues ("Strong Family", "Venus genetrix", "Fertility", etc.). He completed the tomb of Aladár Körösfői-Kriesch in 1925. In the 1930s his art was under the influence of the school of Rome (e.g. the tablet to commemorate the anniversary of the National Theatre, 1937, Nagy Lajos Memorial in Székesfehérvár, 1938). He created several medals and plaquettes (Dürer Plaquette, 1938). Many of his works are in the collection of the Hungarian National Gallery. Some of his statues are erected in Vienna, Hannover and Berlin, and several of his works are in the collections of museums abroad.