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At the beginning, Márk Vedres's works had a close affinity to Rodin's, but a basic change came over them when he settled in Florence in 1902. For ten years he lived with the Renaissance relics of Italy and he could not ignore the effect of the great classical masters. It was there that he came to understand Adolf Hildebrand's theory based on the simple, pure plasticiti of Greek art. Both Hildebrand and the Renaissance had a deep impact on Vedres's work. The small bronze, "Couple", is one of the most beautiful pieces of that period.
The representation of the Adam and Eve motif is clear and concise. The man is holding the woman's wrist, their posture is one of belonging to each other. Their faces and bodies are turned gently towards one another expressing their shy, emotional link.
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