He was a student of Károly Ferenczy at the Academy of Fine Arts for two years. Suspending his studies he soon joined the activists and worked in the same spirit as the artists of the art magazine 'MA' (Today). His religious expressionism and cubistic form creation acquired a touch of naivety as well as a very unique nature from his fanatic devotion and the heat of his belief. His symbolic compositions of biblical themes and his cubistic townscapes of the 1910s and 20s rank him among the significant artists. He played an important role in the shaping of Aurél Bernáth's concept of avantgarde, and in turn his later postimpressionist style bears the influence of Aurél Bernáth.